WDCH 1: Welcoming Remarks
Deborah Borda, President and Chief Executive Officer of the Los Angeles Philharmonic Association introduces the Minimalist Jukebox series [recorded at Walt Disney Concert Hall: April 1, 2006]
WDCH 2: Philip Glass and Robert Israel
Ritual and Myth: The Operatic Collaborations of Philip Glass and Robert Israel. Peggy Phelan host. [recorded at Walt Disney Concert Hall: April 1, 2006]
WDCH 3: Gloria Cheng
'Orphee's Bedroom' and 'Orphee and the Princess' from Orphee, 'Conclusion' from Satyagraha, and 'Dance' from Akhnaten (Glass, arr. Barnes and Reisman), Gloria Cheng, piano. [recorded at Walt Disney Concert Hall: April 1, 2006]
WDCH 4: Glenn Branca
Glenn Branca: Loud Music for Electric Guitars. Glenn Branca, guest; RJ Smith, host. [recorded at Walt Disney Concert Hall: April 1, 2006]
WDCH 5: John Adams
Machines in the Garden: Composers and Technology. John Adams, speaker. Musical examples by Morton Subotnick, Paul Dresher, Aphex Twins, and John Adams. [recorded at Walt Disney Concert Hall: April 1, 2006]
Getty 1: Welcome & Janice Ross
Atomizing Cause and Effect: Anna Halprin's Summer Dance Workshops - Janice Ross, Stanford University. Welcomeing remarks by Andrew Perchuk from the Getty Research Institute. [recorded at The Getty Center: March 31, 2006]
Getty 2: Liz Kotz
Drawing a Line: La Monte Young and the Beginnings of Performance Art - Liz Kotz, University of Minnesota. [recorded at The Getty Center: March 31, 2006]
Getty 3: Jane McFadden
Hearing Process, Tuning Space: Thoughts on Minimalisms in the 1960s - Jane McFadden, Art Center College of Design [recorded at The Getty Center: March 31, 2006]
Getty 4: Robert Fink
Going with the Flow: Minimalism, Advertising, and Television as Cultural Forms - Robert Fink, University of California, Los Angeles [recorded at The Getty Center: March 31, 2006]
Getty 5: Peggy Phelan
In the Upper Room: Glass and Tharp, Sound and Motion - Peggy Phelan, Stanford University. [recorded at The Getty Center: March 31, 2006]
Getty 6: Keith Potter
The Spirit of '76: Why Did Musical Minimalism Become Musical Post-Minimalism -- and Does It Matter? - Keith Potter, Goldsmiths College, University of London. [recorded at The Getty Center: March 31, 2006]
Getty 7: Roundtable
A distinguished panel of artists and writers, who helped make Minimalism a dynamic force in postwar art, discuss the history of the movement. Rountable participants include: Anna Halprin, Terry Riley and James Tenney. Moderato: John Rockwell.\t[recorded at The Getty Center: March 31, 2006]